ANNETTE GENTZ MUSIC & FILM ARTS
MICHAEL NYMAN
Stage
OPERA/ MUSIC THEATRE
Sparkie: Cage and Beyond – Revisiting „Pretty Talk for George Brecht“, 1978/ 2009
Concert performance with Alva Noto
Commissioned by MaerzMusik - Festival für aktuelle Musik Berlin
Love Counts, 2005
Libretto: Michael Hastings
Commissioned by Staatstheaters Karlsruhe
Man and Boy: DaDa, 2003
Libretto: Michael Hastings
Commissioned by Staatsheaters Karlsruhe
Facing Goya, 2000
Libretto: Victoria Hardie
World premiere at Auditorio de Galicia,
Santiago de Compostella
Noises, Sounds and Sweet Airs, 1994
Texts by William Shakespeare
World premiere at Hérouville-Saint-Clair, Calvados
Letters, Riddles and Writs, 1991
Libretto: Jeremy Newsom and Pat Gavin
TV-Premiere in 1991, Great Britain
The Man Who Mistook His Wife
For A Hat, 1986
Libretto: Christopher Rawlence
World premiere at the ICA London
Adapted from the case study by Oliver Sacks
CONCERT
Concerto For Flute And Strings, 2010
The Musicologist Scores, 2009
Concert with citations from G.F. Handel for large ensemble, commissioned by BBC Proms, London
A New Pavan
For These Sad Distracted Times, 2009
Concert for cello and orchestra
Something Connected With Energy, 2008
Concert commissioned by Festival Della Scienza 2008 in Genua
50.000 Pairs Of Feet Can’t Be Wrong, 2007
Concert for large ensemble on the occasion of the opening of the Great North Run Marathon, commissioned by the Great North Run Cultural Programme
The Piano Concerto No.2, 2007
Concert for piano and large ensemble
The Violin Concerto No.2, 2007
Concert for piano and large ensemble
GDM, 2006
Marimba-concert commissioned by Tivoli Orchestra, Royal Philharmonic Orchestra and De Doelen
Melody Waves, 2005
Concert for Chinese orchestra, commissioned by Singapore Chinese Orchestra, Barbican Centre London, The Sage Gateshead and the British Council Singapore
Three Ways of Describing Rain:
Sawan, Rang, Dhyan, 2003
For the Indian singers Rajan and Sajan Misra and large ensemble
The Violin Concerto, 2003
For Gidon Kremer, commissioned by Schleswig-Holstein Musik Festival
Compiling the Colours, 2003
With the Indian mandolin-master U. Shrinivas, for large ensemble and solo mandolin
Dance of the Engines, 2002
Concert for orchestra with pre-recorded engine sounds, commissioned by DaimlerChrysler AG,
conducted by Kent Nagano
Deutsches Sinfonieorchester Berlin World premiere at the old DaimlerChrysler factory Berlin
Concerto for Saxophone Quartet
and Orchestra, 2001
Strong On Oaks,
Strong On The Causes Of Oaks, 1997
Concert suite commissioned by English Sinfonia
Double Concerto For Saxophone, Cello And Orchestra, 1997
Double concert for Saxophone and Cello, for John Harle and Julian Lloyd Webber
world premiere conducted by James Judd at the Royal Festival Hall, London
AET (After Extra Time), 1996
Concert for large ensemble, on the occasion of the European Champions 1996
commissoned by South Bank London
Concerto for Harpsichord and Strings, 1995
For Elisabeth Chojnacka
Concerto for Trombone, 1995
Concert for orchestra and trombone, written for Christian Lindberg, commissioned by the BBC Symphony Orchestra
MGV (Musique à Grande Vitesse), 1993
Concert for orchestra, commissioned by the Festival de Lille on the occasion of the inauguration of the TGV Service Paris - Lille
The Piano Concerto, 1993
Commissioned by the Festival de Lille, for Kathryn Stott and the Orchestre National de Lille, version for 2 pianos for Katia and Marielle Labèque
For John Cage, 1992
For band/ brass ensemble, commissioned by London Brass
The Upside-Down Violin, 1992
For the Michael Nyman Band and Orquesta Andaluzí de Tetouan, commissioned by Expo'92, Seville
The Final Score, 1992
A football-homage for large ensemble
Where The Bee Dances, 1991
Concert for soprano saxophone, for John Harle, commissioned by Bournemouth Sinfonietta
DANCE
DGV: Danse à grande vitesse, 2006 und 2010
Choreographed by Christopher Wheeldon and the Royal Ballet, for Covent Garden London
Electra Perpetrator, 2008
Commissioned by ROES Dance Company
Exit, No Exit, 2005
Commissioned and choreographed by Shobana Jeyasingh for the Shobana Jeyasingh Dance Company
Flicker, 2004
Commissioned and choreographed by Shobana Jeyasingh for the Shobana Jeyasingh Dance Company, world premiere at the Royal Northern College of Music Manchester
Strange Attractors, 1999
Choreographed by Stephen Petronio, Set Design by Anish Kapoor, world premiere at Yurba Buena Center fort the Arts, San Francisco
Miniatures, 1988
Solo piece for The Place Theatre, London Choreographed by Shobana Jeyasingh
Configurations, 1989
Piece for 3 - 4 dancers, choreographed by Shobana Jeyasingh, Queen Elizabeth Hall, London
The Fall of Icarus, 1989
Choreographed by Frédéric Flammand for Plan K, for a video installation by Fabrizio Plessi, Théâtre Royal de la Monnaie, Brussels
Touch the Earth, 1987
For the Rosemary Butcher Dance Company, Whitechapel Art Gallery, London
And Do They Do, 1986
Commissioned by Siobhan Davies for the London Contemporary Dance Theatre, world premiere at the Sadler's Wells Theatre, London
Childs Play (Portraits in Reflection), 1985
Choreographed by Lucinda Childs and the Lucinda Childs Dance Company
Basic Black, 1984
Choreography by Farrell Dyde for the Houston Ballet
The Princess of Milan, 1991
With texts by William Shakespeare, choreographed by Karine Saporta for the Avignon Festival
Yamamoto Perpetuo, 1993
Composition for a fashion show by the designer Johji Yamamoto, solo violin: Alexander Balanescu
DANCE
DGV: Danse à grande vitesse, 2006 und 2010
Choreographed by Christopher Wheeldon and the Royal Ballet, for Covent Garden London
Electra Perpetrator, 2008
Commissioned by ROES Dance Company
Exit, No Exit, 2005
Commissioned and choreographed by Shobana Jeyasingh for the Shobana Jeyasingh Dance Company
Flicker, 2004
Commissioned and choreographed by Shobana Jeyasingh for the Shobana Jeyasingh Dance Company, world premiere at the Royal Northern College of Music Manchester
Strange Attractors, 1999
Choreographed by Stephen Petronio, Set Design by Anish Kapoor, world premiere at Yurba Buena Center fort the Arts, San Francisco
Miniatures, 1988
Solo piece for The Place Theatre, London Choreographed by Shobana Jeyasingh
Configurations, 1989
Piece for 3 - 4 dancers, choreographed by Shobana Jeyasingh, Queen Elizabeth Hall, London
The Fall of Icarus, 1989
Choreographed by Frédéric Flammand for Plan K, for a video installation by Fabrizio Plessi, Théâtre Royal de la Monnaie, Brussels
Touch the Earth, 1987
For the Rosemary Butcher Dance Company, Whitechapel Art Gallery, London
And Do They Do, 1986
Commissioned by Siobhan Davies for the London Contemporary Dance Theatre, world premiere at the Sadler's Wells Theatre, London
Childs Play (Portraits in Reflection), 1985
Choreographed by Lucinda Childs and the Lucinda Childs Dance Company
Basic Black, 1984
Choreography by Farrell Dyde for the Houston Ballet
The Princess of Milan, 1991
With texts by William Shakespeare, choreographed by Karine Saporta for the Avignon Festival
Yamamoto Perpetuo, 1993
Composition for a fashion show by the designer Johji Yamamoto, solo violin: Alexander Balanescu
ART
fff, 2010
Score for a video installation by Kutlug Ataman, Whitechapel Gallery London
Surrounded in Tears, 2004
Sound installation by Oswaldo Macià, Michael Nyman and Jasper Morrison, commissioned by the London Biennial and Tate Liverpool
The Ballad of Kastriot Rexhepi, 2002
String quartet for a text installation by Mary Kelly, Santa Monica Museum of Art, Los Angeles
The Commissar Vanishes, 1999
Composition for a video installation by Chris Kondek, commissioned by the Barbican Centre London, Warwick Arts Centre
LITERATURE
Body Parts Songs, 2010
For tenor and piano, with texts by Ernst Jandl, Kurt Schwitters, Tadeusz Rózewicz, Anthony Howell, inter alia
To be premiered
I Sonetti Lussuriosi, 2007
Settings of the erotic sonnets by Pietro Aretino (16th century) for ensemble and soprano, commissioned by Venice Biennial
A Handshake in the dark, 2007
Settings of texts by the Iraqi poet Jamal Jumá, for choir and orchestra/ ensemble, commissioned by the BBC
I was a total virgin, 2006
Written by Hanif Kureishi and Michael Nyman, commissioned by London Sinfonietta for FuseLeeds06
A Child’s View of Colour, 2003
For children choir, based on a text by Walter Benjamin, commissioned by the Young People’s Chorus of New York City
Mosè, 2001
Settings of texts by Michelangelo Buonarotti, for choir and orchestra/ ensemble
Cycle of Disquietude (Coisas, Vozes, Lettras), 1998
12 songs based on texts by Fernando Pessoa, commissioned by 100 Days Festival Lisbon
Self Laudatory Hymn of Inanna and HerOmnipotence, 1992 and 1998
Based on S.N. Kramer’s translation of a Sumerian Hymn, for the counter tenor James Bowman and large Ensemble
Six Celan Songs, 1990 and 2009
Settings of 6 poems by Paul Celan for ensemble and contralto, written for Ute Lemper, performed again by Hilary Summers at the Jewish Museum Berlin